The image could be divided vertically or use a gradual fade/blend from left to right (or top to bottom). The Manhattan side would occupy roughly 40% of the space—sharp vertical lines of buildings, reflective glass surfaces, that distinctive grid of windows and steel. Shoot it in cooler tones: grays, blues, blacks, maybe caught in that flat corporate lighting of late afternoon. Clinical. Controlled. The Idaho landscape takes the remaining 60%—the Sawtooth or Bitterroot range, wide open sky, perhaps sagebrush in the foreground. Warmer tones but not sentimental: the honest browns and golds of high desert, the stark reality of western light. Not romanticized wilderness, but the kind of landscape that demands something from you.
13.10.2025 12:52